SPARTITI DI Carl Czerny

SPARTITI PIANOFORTE DI

Carl Czerny

Carl Czerny (Vienna, 21 febbraio 1791 – Vienna, 15 luglio 1857) è stato un pianista, compositore e didatta austriaco.
Visse a Vienna insegnando pianoforte (tra i suoi allievi Franz Liszt) e fu allievo di Beethoven dal 1801 al 1803, che dopo averlo sentito suonare, propose appunto di dargli delle lezioni private. All'età di dieci anni nel suo repertorio erano presenti la maggior parte delle opere per pianoforte di Mozart e di altri compositori dell'epoca. Fu un musicista dotato di una memoria stupefacente, che gli consentì inoltre di suonare l'opera integrale delle sonate di Beethoven. Si dedicò con interesse alla didattica pianistica per la quale scrisse numerosi esercizi (più di 1000) che tutt'oggi costituiscono la base dell'insegnamento del pianoforte.
Compose anche sinfonie, ouvertures, cantate e musiche da camera. Alla morte di Beethoven trascrisse alcune sue importanti opere, come la 9° sinfonia che venne adattata per pianoforte solo.

Da Wikipedia, l'enciclopedia libera

SPARTITI DI CZERNY:

110 easy and progressive exercises, op 453: nos 1-60; nos 61-110
Rondo on the minuet from Mozart's Don Giovanni, op 454 no 5
Rondo on a theme from Le bal masque, op 454 no 14
50 Studies, op 481
Rondeau brilliant on favorite waltzes by Joseph Lanner, op 491
Fantaisie on Mozart's The marriage of Figaro, op 493
Petit rondo on a theme from La Straniera, op 516 no 1
Rondo brilliant on a Russian air, op 520 no 1
6 octave studies, op 553
Small theoretical and practical pianoforte school for beginners, op 584
First Teacher of the Piano, op 599
Preliminary school of velocity, op 636: book I
Souvenir de Weber - Fantaisie brilliante on the motifs of the opera Der Freischutz, op 668
24 studies for the left hand, op 718
Le début - 25 etudes for small hands, op 748
Brilliant and not difficult variations on a theme from Wagner's Rienzi, op 759
Impromptu-fugue, op 776
Sonata a la Scarlatti, op 788
Chanson sans paroles, op 795 no 1
Etude melodieuse, op 795 no 3
Practical Finger Exercises, op 802: parts I-III; parts IV-VI
160 Exercises, op 821: nos 1-80; nos 81-160
The Amusement of Young Amateurs - 20 small and brilliant Recreations, op 825, book I
32 New Daily Exercises for small hands, op 848
New school for the left hand, op 861
Musikalisches Pfennigmagazin no 7
Musikalisches Pfennigmagazin no 8
Musikalisches Pfennigmagazin no 9
Musikalisches Pfennigmagazin Cah 1 no 15
Musikalisches Pfennigsmagazin Cah 1 no 21: Rondoletto on 2 motifs from Rossini's The Siege of Corinth
Musikalisches Pfennigsmagazin no 36: Rondoletto on an original theme
Musikalisches Pfennigsmagazin no 39: Rondino on a motif from Bellini's La Sonnambula
22 Rondinos
Rondoletto on a theme from Meyerbeer's Robert le diable
Studio generale: Encyclopedia of brilliant passages from the works of Scarlatti, J.S. Bach and his sons, Handel etc.
Variations on the beloved Sehnsuchts Waltz by Beethoven
Transcription of Beethoven's Overture Leonora (no 1, op 138)
Transcription of Beethoven's Septet (op 20)
Transcription of Chopin's Introduction and Polonaise brilliante (op 3)Transcription of Donizetti's Overture to Linda di Chamounix
Transcription of Haydn's The Creation
Transcription of Henselt's Morceau de salon (op 14)
Arrangement of Thalberg's Fantaisie on Bellini's Beatrice di Tenda (op 49)

Grand Rondo no 1, op 5
Sonata no 2 in A minor, op 13 - cut version
Variations brillantes, op 14
Rondino no 1 on a Cavatina from Rossini's Zelmira, op 22
Rondino no 3 on a Favorite Theme from Rossini's Armide, op 30
Impromptus or Brilliant Variations on the Favorite Danse of the Cotillon of the Ballet d'Arsène by le Comte, op 36
Rondino no 4 on a Favorite Air of Mr Fesca, op 39
Rondino no 6 on an original theme, op 42
Rondoletto scherzando, op 53
Sonata in F minor, op 57
3 grandes Marches, op 79
Toccata, op 92
Sonatina in G major, op 104 no 1
First Decameron musical, op 110: vol I; vol II; vol III; vol IV; vol V; vol VI; vol VII; vol VIII; vol IX; vol X
Decameron musical, op 110 Cah 4
Impromptu or Variations on a favorite theme from Weber's Oberon, op 134
100 progressive studies, op 139: nos 1-49; nos 50-100
3 easy and agreeable rondos, op 158 cahier 1
Sonatina in C major, op 158 cahier 3 no 1
Sonatina in G major, op 158 cahier 3 no 3
Sonatina in A major, op 167
Second Decameron musicale: Romance variee "Toujours, toujours", op 175 no 1
Second Decameron musicale: Rondo en valse, op 175 no 2
Second Decameron musicale: Fantaisie-rondeau after Beethoven's Adelaide, op 175 no 3
Second Decameron musicale: Impromptu sur un theme russe, op 175 no 4
Second Decameron musicale: Polonaise, op 175 no 5
Second Decameron musicale: Ecossaise de Beethoven variee, op 175 no 6
Second Decameron musicale: 9 Romances, op 175 no 7
Second Decameron musicale: Toccata, op 175 no 8
Second Decameron musicale: Rondo, op 175 no 9
Second Decameron musicale: Esquisse romanesque, op 175 no 10
3rd Fantaisie elegante on favorite themes from Auber's La muette de Portici, op 197
6 Rondeaux d'amusement, op 201: no 6
Rondeau de chasse on the favorite chorus from Rossini's William Tell, op 217
Potpourri brilliant on favorite themes from Spohr's Faust, op 218
Grande exercice in thirds and double notes, op 245
Charming Variations on the Charming Waltz by Johann Strauss I, op 249
Troisieme Decameron, op 251
125 exercises in passage-playing, op 261
The School of Velocity, op 299: book I; book II
Two Rondeaux on Herold's Le Pre aux Clercs, op 311: no 1; no 2
Petit Rondo, op 316 no 1
Introduction and Brilliant Variations on an original theme, op 317
L'Allegresse - Rondeau, op 323
Fantaisie on Donizetti's Il Furioso, op 328
Daily exercises, op 337
Sonatine, op 349 no 2
The School of Ornaments nos 1-35, op 355
8 rondinos, op 419: no 6
Swiss Alpine Echoes - Introduction and variations brillantes on the air "Alles Liebt, op 428 cahier 2 no 1
Swiss Alpine Echoes - Impromptu brilliant on the air Der Heerdenreihen, op 428 cahier 2 no 2
Sleepwalker Variations on the Sleepwalker (Nachtwandler) Waltz by Johann Strauss I, op 430
Railway Variations on the Railway-Love (Eisenbahn-Lust) Waltz by Johann Strauss I, op 431